CONNIVENCELE BOUDOIR

CHOSEN GLANCES · PUBLIC EXHIBITION

The beauty of an image.
Never the identity behind it.

A gallery conceived as an exhibition space: a few remarkable photographs, presented for their light, composition and sensitivity - with no profile, no pseudonym and no way to identify their authors or subjects.

THE STANCE

Showing a gaze.
Protecting the people.

01

No link to a Portrait

An exhibited photograph never leads to a member, a pseudonym, an album or a conversation.

02

An authorisation for each work

Any photograph entrusted by a member will require an explicit agreement, specific to that image and revocable at any time.

03

Discretion down to the details

Faces, tattoos, settings, metadata and distinguishing marks must be absent, masked or rendered non-identifying.

PRELIMINARY EXHIBITION

Glimpses of Connivence.

A first visual stroll to imagine the future Gallery. The works remain deliberately darkened at rest; they regain their light when one approaches them.

Photographic study 01 of the fictional Connivence exhibition
STUDY 01EDITORIAL ILLUSTRATION
Photographic study 02 of the fictional Connivence exhibition
STUDY 02EDITORIAL ILLUSTRATION
Photographic study 03 of the fictional Connivence exhibition
STUDY 03EDITORIAL ILLUSTRATION
Photographic study 04 of the fictional Connivence exhibition
STUDY 04EDITORIAL ILLUSTRATION
Photographic study 05 of the fictional Connivence exhibition
STUDY 05EDITORIAL ILLUSTRATION
Photographic study 06 of the fictional Connivence exhibition
STUDY 06EDITORIAL ILLUSTRATION
Photographic study 07 of the fictional Connivence exhibition
STUDY 07EDITORIAL ILLUSTRATION
Photographic study 08 of the fictional Connivence exhibition
STUDY 08EDITORIAL ILLUSTRATION
Photographic study 09 of the fictional Connivence exhibition
STUDY 09EDITORIAL ILLUSTRATION
Photographic study 10 of the fictional Connivence exhibition
STUDY 10EDITORIAL ILLUSTRATION
Photographic study 11 of the fictional Connivence exhibition
STUDY 11EDITORIAL ILLUSTRATION
Photographic study 12 of the fictional Connivence exhibition
STUDY 12EDITORIAL ILLUSTRATION
Photographic study 13 of the fictional Connivence exhibition
STUDY 13EDITORIAL ILLUSTRATION
Photographic study 14 of the fictional Connivence exhibition
STUDY 14EDITORIAL ILLUSTRATION
Photographic study 15 of the fictional Connivence exhibition
STUDY 15EDITORIAL ILLUSTRATION
Photographic study 16 of the fictional Connivence exhibition
STUDY 16EDITORIAL ILLUSTRATION
Photographic study 17 of the fictional Connivence exhibition
STUDY 17EDITORIAL ILLUSTRATION
Photographic study 18 of the fictional Connivence exhibition
STUDY 18EDITORIAL ILLUSTRATION
Photographic study 19 of the fictional Connivence exhibition
STUDY 19EDITORIAL ILLUSTRATION
Photographic study 20 of the fictional Connivence exhibition
STUDY 20EDITORIAL ILLUSTRATION
Photographic study 21 of the fictional Connivence exhibition
STUDY 21EDITORIAL ILLUSTRATION

The heart of the members

Only admitted and signed-in members will be able to give a heart to the works that move them. Visitors may browse the Gallery and enlarge each photograph, without voting or intervening. During a contest, the work having received the most hearts may be distinguished and its authors rewarded according to the terms announced for that edition.